Thursday, April 29, 2010

J.E. MacLeod's WAITING TO SCORE NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BANK STREET!

The Bank Street Awards are in and my client J.E. MacLeod's WAITING TO SCORE is a big winner!

Click on the 12-14 link to see all the winners in this category including: Along for the Ride by Sarah Dessen, The Brilliant Fall of Gianna Z. by Kate Messner, How to Say Goodbye in Robot by Natalie Standiford, King of the Screwups by K. L. Going, Pop by Gordon Korman, This Full House: The Conclusion of the Make Lemonade Trilogy by Virginia Euwer Wolff.

Wow! What amazing company!

As Richie Partington of Richie's Picks says:

While there is plenty of hot action on the ice, WAITING TO SCORE is far less a sports action book than I had assumed it would be. This is foremost a realistic story of teens learning to fit in and survive, and author Janet MacLeod does a stellar job of probing every one of Zack's interpersonal relationships including with his mom, Jane, his new, close friend Sheila, his teammate David, Mac, and the beautiful and deeply-troubled Mona Ryder.

"'What do you have to say for yourself?' Coach Cal sounded pissed.
"I tried to stand up. I didn't say anything. Because I passed out."

Thanks to J.E. MacLeod, new contemporary YA publisher WestSide Books puts its first big points on the board.

--------------------

J.E. MacLeod’s Waiting to Score (WestSide Books) 978-1-934813-01-0
Zack, fifteen, raised to be a clone of his late father, becomes himself as he tries to score in hockey and in life. (11-15)

Wednesday, April 28, 2010

THE DISSECTION OF REJECTION

“Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful people with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent. The slogan ‘press on’ has solved and always will solve the problems of the human race.” ~ Calvin Coolidge

“Some guys they just give up living, others start dying little by little piece by piece, some guys come home from work and wash up, and go racing in the streets.” ~ Bruce Springsteen

"Many of life's failures are people who did not realize how close they were to success when they gave up." ~ Thomas Edison

There have been some wonderful posts in the kidlitosphere about rejection and persistence lately. Since it is definitely tough times in the publishing world, and the rejections you are receiving on your work (not you) may be more than a bit discouraging, I want to leave you with one thought today:


  1. Andrea Brown Agent Jennifer Laughran's On Rejection

  2. Books & Such Agent Rachel Zurakowski's Why are Great Projects Rejected

  3. Writer/Agent Mandy Hubbard on her Agent Jenny Bent's blog Meet Mandy, the author (and her Agent) who Never Gave Up

  4. NYT Bestselling Author Jay Asher's preserved post from the Verla Kay message boards Ready to Quit and the joyous 13 Reasons Why book sale post Break on Through

  5. Author (big announcement coming soon) Robin Mellom's One Man's Trash


Keep Writing! Keep Creating! Keep Dreaming!
Click on the link above for Little, Brown editor Alvina Ling's amazing perspective on persistence.

Artwork by Troy Cummings
What a fab coincidence, Troy's newest PB The Eensy Weensy Spider Freaks Out (Big Time) is featured today (4/29/2010) On Publishers Weekly Children's Bookshelf

Friday, April 9, 2010

FORMULA FOR A QUERY LETTER

I finished my handouts for Saturday's SCBWI LA Writer's Day, and I thought I'd share one of them with all of you...

FORMULA FOR A QUERY LETTER



First things first:

A query letter is a BUSINESS LETTER.

The PURPOSE is to entice an agent to request your full manuscript.

If you can, show your personality and the personality of your ms in the query letter.

Research agents! (click on the link to find out how)
- Send your query ONLY to agents who represent what you write.
- DO NOT query on a book that is not complete.


QUERY FORMULA:

Dear Mr./Ms. (name one agent! spell their name correctly.)

1st Paragraph:

There are 2 schools of thought on how to write the 1st paragraph:

1-Some agents want you to jump right into the synopsis of your story.

2- I, along with many other agents, prefer to know why you are querying me upfront. If you are querying this type of agent, in the first paragraph include short, precise and true reason(s) you are querying a particular agent. Research agents to not only find out if they are a good fit for you but also so you can tell them why you are querying them.

In the 2nd and possibly 3rd paragraph, write a short--3 to 10 sentence synopsis of your story.

Here is how:


The query synopsis is not a plot play-by-play. IT IS A SALES PIECE. The easiest way to get started is to imagine someone asks you..."What is your book about?"

In TITLE, X-year-old Main Character needs to (define problem) before (obstacles).

Now not all your stories will fit into this neat sentence--mine didn’t--but you get the idea.

All info upfront. Agents want to know:
-the title of your manuscript-
-if you are querying on a pb, cb, mg, ya, etc.,
-genre: is it a fantasy, contemporary, dystopian, romance, tear-jerker, etc,
-the age of your main character,
-what is the mc’s problem,
-and if important, the setting.

Here is an example from my query for TWIN SISTER: I AM NOT YOU (unfortunately I now know that this book needs a lot of work and I am not sure I will ever finish it so I will share the query synopsis with you here):

In TWIN SISTER: I AM NOT YOU, Gina is a seventeen year old grappling with the death of her special-needs twin sister, her parents’ over-the-top expectations, and her boyfriend’s desire to smother her with love. We meet Gina just as her mother finds out she’s been sleeping with Steven. However when Gina realizes that her mother is not upset because Gina is ‘compromising’ herself, but is blinded by the fear that Gina is putting herself at risk for becoming pregnant with a special-needs child, Gina’s past, present and future collide. In 2004, TWIN SISTER: I AM NOT YOU won a Society of Children’s Book Writers and Illustrators (SCBWI) Work-in-Progress Honorary Mention.

Paragraph about you

Next is the ‘who are you’ paragraph. Agents really vary on what they want to see here. I like to see whatever you think is important about who you are. Others do not want to know that you train lemurs as a hobby. But, in general:

-mention any previously published work. If you are naming books, make sure to name the publishers and year of publication. It drives me nuts to have to look up so-called previously published books only to find out they are self-published. Self-published is not published, it is you getting your book printed. If you have sold 10,000 copies or more, then mention a self-published book.

-yes, magazine publications count, esp if they are Highlights or Cricket mags. But little known e-zines really don’t make much difference.


- Mention any legitimate awards and honors for your work.

-if you have an MFA, mention it.

-Writing a book on ancient Greece and happen to be a anthropologist who worked in Greece, mention it. You get the idea....

-I know some people don’t care if you have dogs or kids or zebras, I like that info....so research each agent to find out what they want to hear.

-don’t mention your kids/grandkids/neighbor kids love your book. Are they going to stand up and tell you they don’t? Doubt it.

-don’t mention which agents/editors have turned you down and then quote their rejections. Even if they are glowing, they are still rejections. Plus, their opinion may vary greatly from the agent you are querying.

-Mention relevant memberships: SCBWI, RWA, etc. It shows you are active and learning.


Final Paragraph

Keep it simple---Thank you for your time and consideration.

Good luck! Now go forth and query!

The amazing polymer pictured above was created by Herman Agency client Doreen Gay-Kassel. Click HERE to see her stunning portfolio and HERE to view her wonderful picture books.

Sign up for A PATH TO PUBLISHING online face-to-face writing workshops. Wether you choose the NOVEL TRACK or the PICTURE BOOK TRACK, our goal is ensure you understand concept, plotting, character development, scene development, action and emotional arc development, as well has how to pitch your work to agents, editors, and readers.

Wednesday, April 7, 2010

Fat Vampires, Sexy Werewolves and the Future of Teen Reading - 2010-04-07 14:00:29 | Publishers Weekly

Fat Vampires, Sexy Werewolves and the Future of Teen Reading - 2010-04-07 14:00:29 | Publishers Weekly

The continuing prevalence of pale, sexy vampires (and the rise of related comic sub-genres), the growth of teen-focused dystopian fiction and the transformation of the children's publishing niche into a big advance—along with big financial pressure—publishing category, were just some of the topics covered by a panel of agents at Publishers Weekly's "Beyond Twilight: What's Hot in the Teen Market in Publishing and Hollywood."

Friday, April 2, 2010

SLUSHIE SLUSH

4/10/2010 LA SCBWI Writer's Day-Queries & Synopsis: Get Agents/Editors Salivating to Read Your Manuscript

Next Saturday I'll be babbling about queries and synopses....yup, you in the slushie slush and how to get noticed, pluck out and garner a request for your full manuscript.

Slush is a great thing. I have found many of my clients through the slush. While publishing is a business of who you know (ie, editors) and knowing what they want (ie. editors' preferences for genre, topic, voice, etc.), that is the agent's game. No editor buys a book because they like you or they like your agent. They buy a book because they LOVE the book and see the potential for it to sell through to paying customers.

I believe the best strategy for writers is to write the best darn book you can. Then go query agents and let them find your ms a home.

Yes, there are publishers who still read slush. And when you go to conferences, you can send your ms to the faculty editor who hopefully is looking for the type of book you write. But in general, most writers look for agents since your job is to write an amazing book, and the agent's job is to sell said book.

Well, I need go go write something brilliant to say to the slushies on Saturday, but I will leave you with some great links since I know must of you will not be flying to LA for this one-day conference. Enjoy!

  1. Editorial Anonymous' To Boldly Give Advice No Man Has Given Before

  2. Scholastic/Arthur Levine Editor Cheryl Klein's Nine Questions & Answers -see question 2

  3. Peachtree's Where Do Your Manuscripts Go? (And Other Fun Facts)

  4. Little, Brown Editor Alvina Ling's Publishing by Committee

  5. The Intern's Publishing Process Part 1.5: Editorial Meetings

  6. 9 POV's on How to Write a Query Letter

  7. And if you are querying me, please read: A quick note about queries & How I read a query.

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